It's just an old wives' tale from the 1950s.Īs the 35mm format became popular in the 1960s, the most popular affordable lens from Nikon happened to be the 105mm lens, first as the f/s Nikon rangefinders, and then the 105mm f/2.5 for SLRs. If you want just head and shoulders, you'll want a 200mm to 300mm lens, at least, since you want to stay at least fifteen feet away.Įver see a pro model shoot in the field? The photographer is usually using a big fat telephoto on a monopod like a 300mm f/2.8 or 400mm f/2.8 for head shots. If they sit down, a 70-105mm works great. If you want the whole person standing, you can use a 50-70mm lens. It depends on how much of a person you're showing. Subject area covered comfortably at fifteen feet (5m) distance: Here are the size of subjects that roughly fill the frame with different lenses from 15 feet away: ![]() Therefore we want to be at least about 15 feet away when photographing people in order to achieve realistic proportions. If we see someone from only inches away, we don't see them distorted as a camera would our brain perceives and reconstructs their features in proportions similar to a distant view. In the case of facial recognition, when our eyes see a familiar face, it triggers our brain to reconstruct an image of those features as they appear from about 15 feet. All our eyes do is send signals to our brains which are then interpreted in ways about which we're still learning. Our brains recall people's facial features as they appear to be from about 15 feet (5 meters) away.Īsk a human visual system researcher for the details, but our eyes don't actually see anything by themselves. When you're only a foot or two away, noses grow and ears disappear. If you want a tight head shot, you have to do it from too close for comfort with a 50mm lens, making a 50mm lens a poor choice for head shots. Shorter or longer lenses don't change perspective, they just make framing tighter or looser.ĭifferent lenses require you to move closer or farther way to get the framing you want, but it's the change in position that alters perspective, not the lens. ![]() ![]() Perspective depends only on your position. No one knows why, but everyone calls 85mm and 105mm lenses "portrait lenses." What's up with this? What's really the best portrait lens?
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